Free Piano Lesson

Piano Lesson – Improvisation Made Easy
One of the greatest thrills a pianist can have is to e ale to sit at the piano and just play; without music and without thought. Unfortunately many pianists never learn to do this. They are closely tied to their music ecause that’s not only what’s comfortale for them that’s the way they learned.
However, what if I were to tell you that in as little as ten Piano Lessons you could e playing your favorite melodies without music and also e ale to improvise as well? Would that e something you’d e interested in? Take a moment and picture you sitting at the piano at a party and just playing. How does it feel? Great, that’s what you need to feel if you’re going to do what it takes to learn properly.
Let’s get started. In our first piano lesson, you must understand how music is structured in order to e ale to improvise. Most western music is ased on what we call tertian harmony, which simply means chord structures that are ased on intervals of three. For example a C major chord is made up of the notes C E and G. Each of these notes is spaced a third away from the next.
So, assuming that all chords are ased on tertian harmony, then next thing you need to know is where do the notes we choose for our chords come from? Well, they come directly out of a major or minor scale. For example; let’s take a C major scale which is C D E F G A B and ack to C. When we uild chords on top of each of the notes of a major scale we would uild them in intervals of 3 and the quality of the chord (major or minor) is determined y the scale.
That means just like our C major chord which is C E and G (notes chosen from the major scale), our F major chord would e F A and C, where A and C are notes from the C major scale. We wouldn’t use for example A or C# ecause they do not come from the C major scale. Likewise for a G major chord, G B and D, the note B and D come also from the C major scale.
The numer of the chord is important as well. Since our C major chord is uilt on the first note of the scale we call this one (1). The F major chord is four (4) ecause it is uilt on the 4th note of the C major scale. And, the G major chord is five (5) ecause it’s the 5th note of the C major scale.
Coincidentally, the chords C, F and G or 1, 4 and 5 are what most classical and popular music is ased upon. The vast majority of songs use the chord progression 4, 5 to 1 which is the most common chord progression there is.
Understanding the 4, 5, 1 chord progression is essential to understating how to improvise. Knowing that 4 is followed usually y 5 and then resolving to 1 is of high importance if you wish to e ale to play your favorite music without using Sheet Music.
In our next piano lesson we’ll discuss how to sustitute richer chords for the 4, 5, 1 progression and how to choose our melody notes so as to create and improvisational theme.
Aout the Author
Ever thought of taking an online piano lesson? Paul Toey’s piano lesson course is full of the right information eliever in fun and effective way using accelerated learning techniques. Get your free piano lesson today.
<>Play Piano Instantly! A Free Piano Lesson Part 1>
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Pianist’s Guide To Free Improvisation DVD $28.45 Sit down at the piano and play whatever comes into your head, making up your own music as you go along. Thats free improvisation. This lesson is designed for players with some facility at the keyboard but with little knowledge of improvisational techniques. Famed pianist Marilyn Crispell shows the scales, intervals and basic chords that will get you started creating musical sounds. Once you find the notes that will start the process of improvisation, she gives you the background information to make it happen. After reviewing essential music theory, Marilyn shows you how scales, triads, intervals, pedal points and tritones can all be used as tools for the creative pianist. Theres plenty of material here for experienced improvisers to study as well, as Marilyn, an important exponent of the Free Jazz movement, gives you the tools to develop themes and unlock your own ideas. She digs into her long experience with the music of Cecil Taylor, Anthony Braxton, Gary Peacock and other jazz improvisers, breaking down the finer points of creating sounds and developing new playing concepts. She teaches several tunes by talented friends and colleagues, exploring ways that you can move beyond the melodies and into the world of free improvisation. Marilyn and bassist John Menegon explore the process by which they develop their improvisational ideas. They create music on the spot, allowing you to see their musical thoughts as they happen. Whether you are new to this technique or an accomplished improviser, this lesson will bring new joys to your piano playing and help you unlock the secrets of creating free music on the piano. |
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